American playwright, Jeffrey Hatcher’s play, A Picasso, uses the subject of beauty in art, not to dispel the horrors of war, but to make audiences question if beauty is heightened because it seems rare during war and times of loss. Watching this play at the Edmonton Fringe Festival, this question is explored in a multi-layered story that brings up many questions such as who does art belong to—the people or the artist? Led by the two lead characters—the infamous Picasso played by Julien Arnold and Miss Fischer, an art critic employed by the Nazis to collect “degenerate” artwork, played by Shannon Blanchet— they explore the answers to this question, within a Parisian interrogation room, while also facing each other’s philosophies about the world and the role of art in life.
The intelligence of this script is made bolder by Shannon and Julien’s earnest performances which audience members respond to with their laughter made over the quick, witty jabs both characters make over topics of sex and gender roles, or for the moments of intense silence when the audience gets a glimpse into the person that Picasso might have been outside of his larger-than-life identity. All of this makes the play a work of art in itself for allowing the audience to believe that hope is always a possibility—even when it seems as if it does not exist.